Made of thin metal rods and blown glass spheres, the Warm Up lamp by Matteo Zorzenoni is inspired by the warm up exercises performed by dancers.

Inspired by rotation and lightness, the Reel candlesticks by Leonardo Talarico feature a green ceramic candleholder supported by an elegant glass cylinder.

Mounted on a turned and hand-enamelled ceramic base, Matteo Zorzenoni’s Ninfea vase is named after the delicate water lily. The layers of pink blown glass reflect the raised arms of a pirouetting ballerina while the fluted lower layer recalls a tutu.

This sculptural metal centrepiece by Leonardo Talarico is formed entirely by turning. The various elements evoke a spinning movement, observed in dance steps.

The simple white handle of the Allabarra mirrors by Giorgio Biscarra clearly references the barre at which dancers train.

Made from turned and lacquered wood, the forms of these spinning tops by Zaven mimic two classical pirouette positions - one in which the dancer has her arms at chest height, and the other with her arms raised above her head.

Symbolising the dancer’s hard work and determination, he worn surface on the bottom of Zaven’s Workout vases represent the scuffed floor of the dance studio.

With a marble base and glass body, Giorgia Zanellao’s Siempre In Piedi vase and candelabra highlight the importance of the dancer’s balance and coordination.

Giorgia Zanellato’s Tutu glass bottles with marble stoppers evoke the profile of a spinning dancer.

The glass diffuser of Giorgio Biscaro’s Gala lamp recalls a costume hanging on a mannequin.